Susan Williams is a partner in the Entertainment and Media practice of Paul Hastings and is based in the firm's Century City office. She is co-chair of the firm's Entertainment and Media Finance group.
Highly regarded as one of the entertainment industry's top dealmakers, Ms. Williams is frequently sought to represent clients on some of their most significant finance and restructuring transactions. Ms. Williams represents financial institutions, senior, mezzanine, and equity funds, major independent production companies, and high-net-worth individuals in a wide variety of capital transactions involving film and television content. Her vast experience includes overall company capital raises, slate financings, first and second lien financings, single-picture production loans, print and advertising financing, securitizations, structured financing transactions, co-productions, and domestic and foreign tax-incentivized financings, as well as distressed debt and restructuring transactions. She handles numerous transactions involving new and emerging distribution platforms and represents companies at the intersection of entertainment, media, and technology that are involved in various content transactions, including distribution and co-financing agreements with major studios and with international distribution companies. In addition, she has significant experience handling private equity, M&A, and joint ventures, and has extensive experience successfully guiding secured creditors through the unique issues surrounding entertainment and media assets in bankruptcy.
Widely recognized as one of the most influential women in Hollywood, Ms. Williams has been named multiple times to The Hollywood Reporter's annual "Power Lawyers" list of the 100 most influential entertainment attorneys in America, has been repeatedly recognized in Variety 's annual "Dealmakers Impact," "Legal Impact," and "Women's Impact" issues, and has been repeatedly named among the Daily Journal 's Top Women Lawyers. She is also ranked by Chambers USA in California Media & Entertainment, where clients note that she is "highly experienced in the entertainment space" and a "very strong technical lawyer who also brings a commercial sensibility to the legal aspects" of the industry.
Accolades and Recognitions
Named "Best Lawyer" in Entertainment Law, The Best Lawyers in America (2010-2021) and recognized among "Women of Influence" by Best Lawyers (2015-2018)
Named among top entertainment attorneys in Variety's "Legal Impact Report" (2013-2020)
Winner of award for "Best in Media & Entertainment Award" by Euromoney Legal Media Group, Women in Business Law Awards (2019)
Named one of "Hollywood's Top 20 Dealmakers" by The Hollywood Reporter (2016; 2018)
Named among "Top Women Lawyers" in California by the Daily Journal (2016)
Named "Top Dealmaker" in Variety's "Dealmakers Impact Report" (2014-2018)
Named "Southern California Super Lawyer" in Entertainment & Sports by Thomson Reuters (2014-2019)
Named "Top Lawyer" in The Hollywood Reporter, ESQ.'s "Power Lawyers Top 100" list (2013-2015, 2017-2020)
Named in Chambers USA, America's Leading Lawyers for Business, in California Media & Entertainment (2013-2019 editions)
Named in the Guide to the World's Leading Women in Business Law for Technology, Media and Telecommunications, Legal Media Group (2014 edition)
Named one of the most influential women in entertainment in Variety's "Women's Impact Report" (2009)
Honored as Women's Image Network's Outstanding Woman (WOW!) for 2006
University of Southern California, Gould School of Law, J.D., 1986
Tufts University, B.A., 1983, cum laude
Member of Law360 's 2019 Media and Entertainment Editorial Advisory Board
Member, UCLA Entertainment Symposium Advisory Committee
Guest Lecturer, USC Law School
Parents' Council, Tisch School of the Arts, New York University
Member, Women in Film
Ms. Williams has worked on some of the most significant financing and restructuring representations in the entertainment and media industry, including:
Represented Vine Alternative Investments in multiple transactions, including in connection with the emergence from French safeguard proceedings of EuropaCorp S.A., one of the leading independent film studios in Europe, and with the acquisition of the 300-title Lakeshore Entertainment film and television library and Lakeshore International's sales operations.
Represented MidCap Financial in multiple transactions, including in connection with a loan to New Wave Entertainment, a significant employee-owned production services company, and with a loan to the leading action sports touring company Nitro Circus and its subsequent merger with Street League Skateboarding and Superjacket Productions to form Thrill One Sports & Entertainment.
Represented Bank of America, as agent for itself, and a consortium of syndicated lenders in the bankruptcy of Open Road Films and its sale in bankruptcy of its assets to an independent motion picture company.
Represented First Republic Bank in its capacity as a syndicated lender in the senior secured loan made to The Weinstein Company and the sale of a majority of its assets to a motion picture company, as well as in connection with First Republic's production loan with respect to the motion picture "Polaroid."
Represented Sight Unseen Pictures in respect to the financing of its motion picture Bad Education, starring Hugh Jackman and Allison Janney, which premiered last year on HBO.