49:Ta45,

Unlike many lawyers who entered the music sector through traditional M&A, finance or private equity practices, Sid built his career inside the music industry itself. He spent the formative years of his practice advising music startups and negotiating recording agreements, music publishing transactions, content licenses, distribution arrangements and music industry joint ventures, and he continues to maintain an active commercial music practice today.

Sid regularly advises music companies, rights holders and technology platforms on the agreements, relationships and business strategies that drive revenue, growth and enterprise value. That experience gives him a unique perspective when advising investors, lenders and strategic acquirers on complex transactions involving music assets and companies.

His practice encompasses the acquisition, financing, securitization and monetization of music catalogs, royalty streams and music companies, as well as strategic investments, joint ventures and other sophisticated rights transactions involving both music publishing and recorded music assets. He also advises clients on intellectual property acquisitions, strategic partnerships, content licensing and distribution arrangements, and emerging issues involving artificial intelligence, digital content exploitation and evolving monetization models.

The CEO and co-founder of one of the world’s largest independent music companies described Sid as possessing “a deep and sophisticated understanding of the music industry,” noting that he combines “a uniquely broad skill set” with the ability to handle the industry’s “most sophisticated and complex transactions.”

While Sid’s practice is principally focused on the music industry, he also advises clients in the sports, podcasting and digital media sectors on strategic transactions, commercial licensing arrangements and other complex content-driven matters. A frequent speaker and writer on developments affecting the music and entertainment industries, he regularly counsels investors, operators and rights holders on emerging technologies, evolving business models, and the legal and commercial issues shaping the future of content ownership, financing and monetization.

Before focusing on transactional matters, Sid practiced as a commercial litigator representing public and private companies in complex, high-stakes disputes. He continues to advise clients on music copyright and other content-related matters where commercial, transactional and litigation issues intersect.

4a:Ta45,

4b:Ta50,

Highly regarded as one of the entertainment industry’s top dealmakers, Susan is frequently sought to represent clients on some of their most significant finance and restructuring transactions. Susan represents financial institutions, senior, mezzanine and equity funds, major independent production companies, and high-net-worth individuals in a wide variety of capital transactions involving film and television content.

Her vast experience includes overall company capital raises, slate financings, first and second lien financings, single-picture production loans, print and advertising financing, securitizations, structured financing transactions, co-productions, and domestic and foreign tax-incentivized financings, as well as distressed debt and restructuring transactions. She handles numerous transactions involving new and emerging distribution platforms and represents companies at the intersection of entertainment, media and technology that are involved in various content transactions, including distribution and co-financing agreements with major studios and with international distribution companies. In addition, she has significant experience handling private equity, M&A and joint ventures, and has extensive experience successfully guiding secured creditors through the unique issues surrounding entertainment and media assets in bankruptcy.

Widely recognized as one of the most influential women in Hollywood, Susan has been named multiple times to The Hollywood Reporter’s annual “Power Lawyers” list of the 100 most influential entertainment attorneys in America, has been repeatedly recognized in Variety’s annual “Dealmakers Impact,” “Legal Impact” and “Women’s Impact” issues, and has been repeatedly named among the Daily Journal’s Top Women Lawyers. She is also ranked by Chambers USA in California Media & Entertainment, where clients note that she is “highly experienced in the entertainment space” and a “very strong technical lawyer who also brings a commercial sensibility to the legal aspects” of the industry.

Beyond her legal accomplishments, Susan dedicates a significant portion of her time to mentoring and serving as a role model to the next generation of female lawyers. She is a partner advisor to our Women’s Paul Hastings Affinity Network whose mission is to promote inclusion, while providing various leadership, professional and business development opportunities for women at the firm. She is also a regular speaker on promoting women in the legal profession.

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Daria Rose is an associate in the Entertainment and Media – Music Industry practice in the firm’s Century City office.

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Her experience includes representing companies in multibillion-dollar mergers and acquisitions, debt restructurings, asset purchases and contested matters across industries such as technology, energy, biotechnology and consumer goods.

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Ken Deutsch is co-chair of the Entertainment, Sports & Media practice of Paul Hastings and is based in the firm’s Century City office. He represents a broad array of operating entities in the entertainment and media industries, including film and television studios, streaming platforms and independent media companies, advising on their most significant corporate transactions as well as on a variety of film, television and other commercial ventures.

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Max Rosenberg is a partner in the Investment Funds & Private Capital practice at Paul Hastings and is based in the firm’s New York office.

Max represents private fund sponsors and investors in all aspects of structuring, documenting, offering, negotiating and operating private funds and related investment vehicles, including real estate, credit, infrastructure and private equity funds, as well as co-investment vehicles and continuation vehicles. He regularly develops structures and terms on behalf of fund sponsors ranging from large financial institutions to leading middle-market managers and select emerging managers, and negotiates with leading public and private pension plans, sovereign investors, insurance companies, foundations, endowments, fund-of-funds, private wealth channels and other institutional investors from around the world.

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Max also assists private fund sponsors on upper-tier transactions including management company sales, minority (GP) stakes, seeding arrangements, revenue sharing arrangements and other strategic platform transactions.

Max received his J.D. degree, cum laude, from the University of Pennsylvania Law School, where he was a Levy Scholar, and earned a Business, Economics and Public Policy Certificate from the Wharton School. He earned his B.A. degree, summa cum laude, Phi Beta Kappa, from UCLA.

Max serves on the firm’s recruiting committee and is co-chair of the New York office summer associate program.

Max also guest lectures at Fordham University on Fund Formation, Regulation, and Documentation.

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Rob Wilson is of counsel in the Tax Department and is based in the firm’s New York office.

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